AMSHPLOGO6

The Best Audio Mastering Courses, Books, Tutorials And Classes by John Rogers

Become an expert at Audio Mastering in only a few hours!  Really!!

best online mastering course
Hello, my name is John Rogers owner of JR mastering and author of the current #1 Best Selling Audio Mastering Book on Amazon.com which is now available in a video course!  Since 1999, I've mastered over 40,000 songs for over 7,500 clients.  I've mastered music for grammy award winners, several songs I mastered charted #1 and top 10 in Europe, and my masters have been played by DJs in many major cities all over the world. 
 

Why am I telling you this?  Because I know audio mastering, and I would like to teach you everything I've learned since 1999, in only 4 hours!  It's not a $20,000 two year class, or a $3,500 6 month course (a total waste of money), I will teach you everything you need to know in audio mastering in only 4 hours!  This course and the PDFs took me over 1.5 years to create.  This is some serious stuff!

video tutorials

Also, a few clients only watch the Step by Step Mastering Session videos and found that was all they needed.
(though I recommend you should watch/read the entire course).

1. Audio Master Laws, Tips, and Advice (46:36)
Several videos that fill in the missing pieces that are not in other parts of the course.  Tips, advice and absolute LAWS that you cannot break.  Break a few of these laws, and I will guarantee your CD project will be a disaster.  45 minutes of strong advice.

2. The Processors Used In Audio Mastering (14:11)
The types of processors I used to master over 40,000 songs.

3. The 4 Bands In Audio Mastering (9:32)
In audio mastering, we work in Bands.  Here's a quick overview.

4. Analyzing A .Wav File Before Mastering (11:58)
This is the first step in audio mastering (after importing the song).

5. How To Correctly Set Your Song Volumes (8:10)
How do I get all my songs the same volume?  How loud is my song supposed to be?  Is my song too loud?  All these questions are answered in this quick 8 min video.

6. Compression Made Easy (19:49)
I've listen to over 1,000 clients attempts at mastering, and masters from other studios (some charging $100 a song).  75% of what I heard, they have NO CLUE how to compress a song.  Usually, they don't apply any compression at all (they just make the song louder and call that mastering) and the song breaks up miserably when played back loud.  Or the extreme, they compress it to death and it has no dynamic range and it's distorted.

In this video I explain what compression is, your goals, how to use compressors, everything you need to know about compression in audio mastering is in this 20 min video!

7. Understanding Equalization And Spectral Enhancement (27:05)
Which processors are used for EQ?  Most people don't know a compressor is one of them.  When do you use them, what are your goals, what's the difference between EQ and spectral enhancement?  Almost a half hour of priceless information you want find anywhere else.

8. Step by Step Mastering Sessions (10 songs) (Over 3 hours)
My step by step mastering session videos show live mastering sessions of 10 songs.  
1 Hard Rock, 1 80s Rock, 1 Pop Alternative, 1 Santana-ish, 1 Pop Dance, 1 EDM, 1 Chill EDM, and 3 Rap/Hip Hop.

You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.

I also include bonus tips and advice while going through my step progression.  This video brings everything together, when you can actually see me doing what I've talked about earlier, and what you've read in the PDFs or in my book.


You Can Quickly Become An Audio Mastering Expert
I've worked with sooooo many clients and studios.  I've heard their mastering attempts.  I've read 1,000 blog posts and watched 100 hours of free youtube video made by guys with "very little" commercial mastering experience or they're a kid living in their mom's basement (usually both). 

That all being said, if you read my PDFs (why not buy the full book too) and watch all of my videos, I can just about guarantee you will be better than 75% of the audio mastering engineers online!  This includes some from major recording studios.  I know this because I've heard their masters and 75% are clueless in several major areas, and you will know more than them.

Now, I can't exactly "guarantee" results.  That's like someone selling exercise videos and guaranteeing you will lose weight.  Yes, if you do the program, guaranteed you will.  But if you never turn the video on, the weight loss program won't work for you.  Same thing here.


MASTERING ISN'T A TEST!
Too many people think, oh well I got some advice from this kid, and three other guys, now I'm going to master the CD that took me A YEAR to write and record.  Really?  Here's why this doesn't work.

I'll be generous.  20% of the information from engineers who have never done anything (other than work on their own stuff) is absolutely WRONG.  Sometimes even the opposite.  They make up these odd ball theories based on nothing.  I've even had a few hip hop engineers make mastering decisions based on what their grandma told them about their songs.  I'm not joking here, they told me their grandma said the bass was too low, so they cranked it above distortion.

Well, so what if you get a few processes wrong?  You'll get 80% of your CD mastering right.  That's a grade B, right?  WRONG!  It's an "F."

If you get your loudness wrong, you get an "F."  If you get your compression wrong, you get an "F."  Maybe you don't know how to increase clarity, set your bass levels, get all your songs the same level, all "F."

You could get ONE critical area wrong, and be 90% right with the rest, and your CD will be a JOKE when played against commercial songs, at the club, even your family and friends will laugh at you after leave. Ha!

Let me give you information that is 100% correct!  Based on the over 40,000 songs I've mastered that have actually been played on the radio, and in clubs around the world.

Get an "A+" on all of your projects!  Why not?  Isn't you music career worth this small investment?

 

90 pages pdfsYou get 90 pages of PDFs from my current #1 Best Selling Audio Mastering Book on Amazon.com.  From setting up your listening environment, my graph of solutions to common problems, how to master different genres, to how to correctly set your song volumes, this course is packed with valuable information.  You can spend 100 hours on youtube looking for free videos and half the information in my course, you'll never find it anywhere!  And, even better, you won't get any "wrong" information from my course either, that will ruin your project.  

So, how much is my course?  

$2,500

$1,000

$500

Only $68 for the entire course lifetime subscription

Includes my step by step mastering session videos of live mastering sessions of 10 songs.  
1 Hard Rock, 1 80s Rock, 1 Pop Alternative, 1 Santana-ish, 1 Pop Dance, 1 EDM, 1 Chill EDM, and 3 Rap/Hip Hop songs.

You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.

SALE THIS WEEK ONLY!
This week only $54!
USE COUPON CODE - ams20off to save 20%


The audio mastering secrets courses and PDFs are lifetime access.  The course itself is on my website http://LearnMixingMastering.com
 

Click Here To Order Now

If Your Genre/Style Of Music Isn't Available, It Will Be Soon
What Style would you like to order?
- Email me if you would like to be notified.

You Can Also Order My Best Selling Audio Mastering Book


*INSTANT EBOOK DOWNLOAD*  AS LOW AS $6.89!

buy icon pdf2        buy icon mobi2        buy icon epub2       


BUY THE PAPERBACK BOOK

buy icon book2

 

ABOUT THE AUTHOR

Hello my name is John Rogers, owner of JR Mastering.  I’m one of the most successful online mastering engineers, having worked with over 7,500 highly satisfied clients on over 40,000 songs since 1999.  

During my career I’ve worked with a handful of Grammy nominees, several songs I’ve mastered went top 5 on the European billboard charts.  I’ve mastered hundreds of songs for movie soundtracks, and for DJs who played them in clubs all over the world.

My debut book, Audio Mastering Secrets, is one of the first audio mastering books on the market that focuses entirely on “How to master audio to radio quality standards,” all from the comfort of your home studio.  No expensive gear required to get amazing results!

I also have a video series that will teach you how to master your style of music in under TWO hours!

Note - If you're looking for someone to mastering your songs (and don't want to learn yourself), visit my website JR Mastering.

ABOUT THE BOOK


This Book Is An 8.5” x 11” Learning Guide (184 Pages)

greatlearning

It focuses on how to master audio, how to become a great audio mastering engineer, and how not to be a bad one.  I don’t get into the specifics of brands of gear you should buy, the history of audio mastering, 1,000’s of compressor settings (of which maybe 40 you’ll ever use), or a dozen pages on how to sound proof your room. 

If you’re looking for that information, there are several other books on the market that explain those topics very well.

Common Mastering Problems And Their Solutions

18years

In audio mastering, you will face common problems like a mix being too thin, tinny, distorted, over-saturated, muddy, or not bright enough.   Sometimes you can’t get the song loud enough, boomy enough, no separation, too much bass, no sparkle, and many other problems. 

I explain in detail which effects processors to use and their exact settings to solve these common problems.  This is a great tool to refer back to when needed.

Written In 2017

2017
 
In this book I work with up-to-date software and a digital DAW system, using current audio mastering techniques for this day and age.  I show you how to get great mastering results using your home PC, DAW and plugin software, and basic hardware.  No expensive old-school equipment required.

This Book Is Based On Real-World Experiences

learnaudiomastering

Not entirely on theory, what I learned in school, what I heard from some other engineer, etc.  I’ve mastered over 40,000 songs for over 7,500 highly satisfied clients.  Why is this important?  

1. Because I know the techniques and secrets that I’m teaching work very well!  The proof is in the thousands of positive email testimonials I’ve received.  

2. I also know which problems and situations arise very often, and which ones never happen at all.  Knowing this allows me to focus only on what you will actually experience when working on an audio mastering project.  Someone who hasn’t worked with a large number of customers won’t even know what areas to focus on.

My Step-By-Step Audio Mastering Session

masteringsimple
 
You will learn the 18 steps I take in the audio mastering process.  From importing your file, down to loudness maximization and finally exporting a perfectly mastered song!

Mastering Different Genres

Here’s where I break down the sonic qualities of sixteen different genres.  How much brightness, bass, boominess, compression, etc., you’re trying to achieve for each genre.  And several tips on what clients are looking for.  This is a great tool to refer back to if you don’t know the sonic qualities of all the different genres very well.

My Audio Mastering Laws

In this section, I cover a series of do’s, don’ts, and facts that basically apply to all audio mastering jobs regardless of genre.  I also cover several pitfalls you will experience (just like I did) as an audio mastering engineer, and how to get through them.

Compression Made Easy

After reviewing hundreds of masters and re-masters from other online studios, I’ve found that most sound engineers don’t know how to properly use compression.  A lot of them never use it at all!  This causes their songs to break up badly during loud playback.   In this book, I cover everything you need to know about compression in audio mastering.  I eliminate 95% of the needless threshold/ratio combinations, which makes the entire process much simpler.

Setting Up You're Listening Environment


In this section I cover calibrating your speakers, learning your speakers, speaker placement and room size.  And, the myth about soundproofing your room.

The Effects Processors Used In Audio Mastering

The basics of what they all do, how to use them, when to use them, and my initial settings templates.

Working With Clients

I cover a handful of important must-know facts if you’re working with clients.  Why lose jobs learning on your own (trial and error).  Learn from my past mistakes!

This Book Is A Very Easy Read

I left out all the high-tech jargon and rarely used words that slow down sentence flow.  I want everyone to learn how to properly master audio, while not having to try and figure out what I’m trying to say!  Ha!

And Much More!

In this book I cover audio mastering FAQs, definitions, concepts, and procedures.  I also talk about working with sonic qualities, A/B comparison, working with 4-BAND processors, creating headroom and dynamic range, evaluating the mix, protecting your hearing, EVERYTHING I’ve learned in the last 17 years!

In a matters of weeks, you can learn all of the audio mastering secrets, tips, and techniques that took me over 17 years to learn!

Or with my video series, learn in only TWO hours!!

If you started audio mastering and learning on your own this year, by 2034 you might learn everything that’s in this book and video series.  Ha!  Why not just make a small investment and start learning right now!

 


*INSTANT EBOOK DOWNLOAD*  AS LOW AS $6.89!

buy icon pdf2        buy icon mobi2        buy icon epub2       


BUY THE PAPERBACK BOOK

buy icon book2

 

Book Pages

song master book article

What Is Tinnitus?

Tinnitus is the constant hearing of a sound when there is no sound present.  Some describe it as a ringing sound, a hiss, or a high pitched tone.  The sound is continual, and it varies from one tinnitus suffer to another.

 

How Is Tinnitus Caused?

Tinnitus is caused by either a single extremely loud sound or by loud sounds over a period of time.  I know a military vet who got severe tinnitus from the sound of jets taking off in close proximity.  Another guy I know got it from a single bomb explosion that was right next to him.  Listening to loud music at a concert or club, if you're in a band, if you play music loud on your iPod, or monitoring music very loud as a sound engineer, over a period of time any of these scenarios could cause tinnitus.  If you cut grass for a living and don't wear earplugs, I would imagine that could eventually cause it too.

It can also be caused by prescription drugs in the benzodiazepine family or even by over the counter drugs like ibuprofen.  I heard of a man who got severe tinnitus from MSG in Chinese food.  The cook made a mistake and loaded it up heavy with MSG.


song master book article

When I first start out with NEW speakers (though I never change them now), I listen to my favorite hit songs in every genre and style.  Songs that I know from my years of experience have X amount of bass, X amount of brightness, etc.  I know how these songs are "supposed" to sound.

Most good speakers have EQ adjustment switches on them, and the sub-woofer has a volume control on it.  After several listens, I'll slightly adjust the EQ on the monitor speakers and the bass amount on the sub-woofer so that my favorite reference songs sound "true" to me.  I'm making my speakers sound true to life, not exaggerated in any sonic area.  Once the songs playing through these speakers sound "true" to me, then anything I mix or master will be done correctly.

How could speakers sound untrue to me?  An example, if I'm playing a few commercially hip hop songs and the bass sounds very weak on every song, the speakers I'm using are untrue because I know in reality the bass should be much higher/louder in hip hop.  I know the sub-woofer needs the bass volume adjusted and maybe the studio monitors do too.  And I adjust them accordingly.

If I worked with these untrue speakers, I would improperly raise the bass on every song, thinking it was too low when in reality the speakers aren't properly playing the bass.

It's easier when working with true speakers because what you hear correctly represents the audio material you're working on.

song master book article

First off, I use speaker stands for my studio monitors, and the speakers stand 3.5 feet off the ground.  I have the stands roughly 7 feet apart, and the speakers are about 6-7 feet away from my face.  The sub-woofer is on the floor, centered between the two speaker stands.

Note - Do not put the back of the speakers right up against a wall.  Have at least 10 inches between the back of your speakers and the wall, or the sound will be altered.

I've found this setup is close enough where I can here all the details in the music, wide enough so I get a full representation of the stereo field, and the speakers are far away enough so I can crank the music up to 105dbs to make sure it sounds right for loud playback, without blasting myself in the face.

song master book article

Before I tell you the setup I like best, after many years of experimentation, I'd like to first tell you the setup I personally don't like (even though a lot of sound engineers do this).  Two studio monitors, five feet apart, on a desk two feet away from their face.  And NO sub-woofer!  I think they call this "near field" monitoring. But at some point during the audio mastering process, you must crank the music up very loud to set your final compression and to hear how it translates at high volume levels.  You can't do this if your speakers are right next to your ears!  At least I can't.

Maybe this is why the songs I get in for re-mastering badly break up when cranked up loud, and the bass is totally washed out.  They were originally mastered at very low levels without a sub-woofer, and not optimized for loud playback.

I also find it hard determining the overall depth and stereo width in music when the speakers are two feet in front of me.   Which makes sense.  Its like watching a 50" TV.  I want it to be far enough away so I can take the whole picture in.  No one puts a 50" TV on a table right in front of them, yet this is done with speakers.

song master book article

I've used dozens of different brands of speakers in my career and I do like a few better than others.  But, this article deals more with types and sizes of speakers, not with the brand choices.

The main mixing and mastering speakers I currently use are Dynaudio 100w powered studio monitors with 7" woofers and 1.1" tweeters.  They have nice EQ adjustment options on the back and I know these speakers very well.  If you get speakers that are a little bigger, you'll get better LOW-end out of them, but I'm happy with the size I use.

The most important part of your speaker setup (that a lot of newbies don't know about) is having a sub-woofer on the floor between your main studio monitors. It's impossible to correctly mix or master any music content under 150hz without having a sub-woofer.  7-8" studio monitors will not play the low 50hz sub-bass AT ALL, and they're weak at best in the 100hz area.

Go to top