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The Best Audio Mastering Courses, Books, Tutorials And Classes by John Rogers

best online mastering course
Hello, my name is John Rogers owner of JR mastering and author of the current #1 Best Selling Audio Mastering Book on Amazon.com which is now available in a video course!  Since 1999, I've mastered over 40,000 songs for over 7,500 clients.  I've mastered music for grammy award winners, several songs I mastered charted #1 and top 10 in Europe, and my masters have been played by DJs in many major cities all over the world. 
 

Why am I telling you this?  Because I know audio mastering, and I would like to teach you everything I've learned since 1999, in only 5 hours!  Less if you want to know about only your genre.  It's not a $20,000 two year class, or a $3,500 6 month course (a total waste of money), I will teach you everything you need to know in audio mastering in only 5 hours!  This course and the PDFs took me over 1.5 years to create.  This is some serious stuff!



Also, a few clients only watch the Step by Step Mastering Session videos and found that was all they needed.
(though I recommend you should watch/read the entire course).

1. Audio Master Laws, Tips, and Advice (46:36)
Several videos that fill in the missing pieces that are not in other parts of the course.  Tips, advice and absolute LAWS that you cannot break.  Break a few of these laws, and I will guarantee your CD project will be a disaster.  45 minutes of strong advice.

2. The Processors Used In Audio Mastering (14:11)
The types of processors I used to master over 40,000 songs.

3. The 4 Bands In Audio Mastering (9:32)
In audio mastering, we work in Bands.  Here's a quick overview.

4. Analyzing A .Wav File Before Mastering (11:58)
This is the first step in audio mastering (after importing the song).

5. How To Correctly Set Your Song Volumes (8:10)
How do I get all my songs the same volume?  How loud is my song supposed to be?  Is my song too loud?  All these questions are answered in this quick 8 min video.

6. Compression Made Easy (19:49)
I've listen to over 1,000 clients attempts at mastering, and masters from other studios (some charging $100 a song).  75% of what I heard, they have NO CLUE how to compress a song.  Usually, they don't apply any compression at all (they just make the song louder and call that mastering) and the song breaks up miserably when played back loud.  Or the extreme, they compress it to death and it has no dynamic range and it's distorted.

In this video I explain what compression is, your goals, how to use compressors, everything you need to know about compression in audio mastering is in this 20 min video!

7. Understanding Equalization And Spectral Enhancement (27:05)
Which processors are used for EQ?  Most people don't know a compressor is one of them.  When do you use them, what are your goals, what's the difference between EQ and spectral enhancement?  Almost a half hour of priceless information you want find anywhere else.

8. Step by Step Mastering Sessions (10 songs) (Over 3 hours)
My step by step mastering session videos show live mastering sessions of 10 songs.  
1 Hard Rock, 1 80s Rock, 1 Pop Alternative, 1 Santana-ish, 1 Pop Dance, 1 EDM, 1 Chill EDM, and 3 Rap/Hip Hop.

You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.

I also include bonus tips and advice while going through my step progression.  This video brings everything together, when you can actually see me doing what I've talked about earlier, and what you've read in the PDFs or in my book.


You Can Quickly Become An Audio Mastering Expert
I've worked with sooooo many clients and studios.  I've heard their mastering attempts.  I've read 1,000 blog posts and watched 100 hours of free youtube video made by guys with "very little" commercial mastering experience or they're a kid living in their mom's basement (usually both). 

That all being said, if you read my PDFs (why not buy the full book too) and watch all of my videos, I can just about guarantee you will be better than 75% of the audio mastering engineers online!  This includes some from major recording studios.  I know this because I've heard their masters and 75% are clueless in several major areas, and you will know more than them.

Now, I can't exactly "guarantee" results.  That's like someone selling exercise videos and guaranteeing you will lose weight.  Yes, if you do the program, guaranteed you will.  But if you never turn the video on, the weight loss program won't work for you.  Same thing here.


MASTERING ISN'T A TEST!
Too many people think, oh well I got some advice from this kid, and three other guys, now I'm going to master the CD that took me A YEAR to write and record.  Really?  Here's why this doesn't work.

I'll be generous.  20% of the information from engineers who have never done anything (other than work on their own stuff) is absolutely WRONG.  Sometimes even the opposite.  They make up these odd ball theories based on nothing.  I've even had a few hip hop engineers make mastering decisions based on what their grandma told them about their songs.  I'm not joking here, they told me their grandma said the bass was too low, so they cranked it above distortion.

Well, so what if you get a few processes wrong?  You'll get 80% of your CD mastering right.  That's a grade B, right?  WRONG!  It's an "F."

If you get your loudness wrong, you get an "F."  If you get your compression wrong, you get an "F."  Maybe you don't know how to increase clarity, set your bass levels, get all your songs the same level, all "F."

You could get ONE critical area wrong, and be 90% right with the rest, and your CD will be a JOKE when played against commercial songs, at the club, even your family and friends will laugh at you after leave. Ha!

Let me give you information that is 100% correct!  Based on the over 40,000 songs I've mastered that have actually been played on the radio, and in clubs around the world.

Get an "A+" on all of your projects!  Why not?  Isn't you music career worth this small investment?

 

You get 20 pages of PDFs from my current #1 Best Selling Audio Mastering Book on Amazon.com.  From setting up your listening environment, my graph of solutions to common problems, how to master different genres, to how to correctly set your song volumes, this course is packed with valuable information.  You can spend 100 hours on youtube looking for free videos and half the information in my course, you'll never find it anywhere!  And, even better, you won't get any "wrong" information from my course either, that will ruin your project.  

So, how much is my course?  

$2,500

$1,000

$500

Only $128 for the entire course lifetime subscription

Includes my step by step mastering session videos of live mastering sessions of 10 songs.  
1 Hard Rock, 3 Rap/Hip Hop songs, 1 EDM, 1 Chill EDM, 1 Pop Dance, 1 80s Rock, 1 Pop Alternative, and 1 Santana-ish.

You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.


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ABOUT THE AUTHOR

Hello my name is John Rogers, owner of JR Mastering.  I’m one of the most successful online mastering engineers, having worked with over 7,500 highly satisfied clients on over 40,000 songs since 1999.  

During my career I’ve worked with a handful of Grammy nominees, several songs I’ve mastered went top 5 on the European billboard charts.  I’ve mastered hundreds of songs for movie soundtracks, and for DJs who played them in clubs all over the world.

My debut book, Audio Mastering Secrets, is one of the first audio mastering books on the market that focuses entirely on “How to master audio to radio quality standards,” all from the comfort of your home studio.  No expensive gear required to get amazing results!

I also have a video series that will teach you how to master your style of music in under TWO hours!

Note - If you're looking for someone to mastering your songs (and don't want to learn yourself), visit my website JR Mastering.

ABOUT THE BOOK


This Book Is An 8.5” x 11” Learning Guide (184 Pages)

greatlearning

It focuses on how to master audio, how to become a great audio mastering engineer, and how not to be a bad one.  I don’t get into the specifics of brands of gear you should buy, the history of audio mastering, 1,000’s of compressor settings (of which maybe 40 you’ll ever use), or a dozen pages on how to sound proof your room. 

If you’re looking for that information, there are several other books on the market that explain those topics very well.

Common Mastering Problems And Their Solutions

18years

In audio mastering, you will face common problems like a mix being too thin, tinny, distorted, over-saturated, muddy, or not bright enough.   Sometimes you can’t get the song loud enough, boomy enough, no separation, too much bass, no sparkle, and many other problems. 

I explain in detail which effects processors to use and their exact settings to solve these common problems.  This is a great tool to refer back to when needed.

Written In 2017

2017
 
In this book I work with up-to-date software and a digital DAW system, using current audio mastering techniques for this day and age.  I show you how to get great mastering results using your home PC, DAW and plugin software, and basic hardware.  No expensive old-school equipment required.

This Book Is Based On Real-World Experiences

learnaudiomastering

Not entirely on theory, what I learned in school, what I heard from some other engineer, etc.  I’ve mastered over 40,000 songs for over 7,500 highly satisfied clients.  Why is this important?  

1. Because I know the techniques and secrets that I’m teaching work very well!  The proof is in the thousands of positive email testimonials I’ve received.  

2. I also know which problems and situations arise very often, and which ones never happen at all.  Knowing this allows me to focus only on what you will actually experience when working on an audio mastering project.  Someone who hasn’t worked with a large number of customers won’t even know what areas to focus on.

My Step-By-Step Audio Mastering Session

masteringsimple
 
You will learn the 18 steps I take in the audio mastering process.  From importing your file, down to loudness maximization and finally exporting a perfectly mastered song!

Mastering Different Genres

Here’s where I break down the sonic qualities of sixteen different genres.  How much brightness, bass, boominess, compression, etc., you’re trying to achieve for each genre.  And several tips on what clients are looking for.  This is a great tool to refer back to if you don’t know the sonic qualities of all the different genres very well.

My Audio Mastering Laws

In this section, I cover a series of do’s, don’ts, and facts that basically apply to all audio mastering jobs regardless of genre.  I also cover several pitfalls you will experience (just like I did) as an audio mastering engineer, and how to get through them.

Compression Made Easy

After reviewing hundreds of masters and re-masters from other online studios, I’ve found that most sound engineers don’t know how to properly use compression.  A lot of them never use it at all!  This causes their songs to break up badly during loud playback.   In this book, I cover everything you need to know about compression in audio mastering.  I eliminate 95% of the needless threshold/ratio combinations, which makes the entire process much simpler.

Setting Up You're Listening Environment


In this section I cover calibrating your speakers, learning your speakers, speaker placement and room size.  And, the myth about soundproofing your room.

The Effects Processors Used In Audio Mastering

The basics of what they all do, how to use them, when to use them, and my initial settings templates.

Working With Clients

I cover a handful of important must-know facts if you’re working with clients.  Why lose jobs learning on your own (trial and error).  Learn from my past mistakes!

This Book Is A Very Easy Read

I left out all the high-tech jargon and rarely used words that slow down sentence flow.  I want everyone to learn how to properly master audio, while not having to try and figure out what I’m trying to say!  Ha!

And Much More!

In this book I cover audio mastering FAQs, definitions, concepts, and procedures.  I also talk about working with sonic qualities, A/B comparison, working with 4-BAND processors, creating headroom and dynamic range, evaluating the mix, protecting your hearing, EVERYTHING I’ve learned in the last 17 years!

In a matters of weeks, you can learn all of the audio mastering secrets, tips, and techniques that took me over 17 years to learn!

Or with my video series, learn in only TWO hours!!

If you started audio mastering and learning on your own this year, by 2034 you might learn everything that’s in this book and video series.  Ha!  Why not just make a small investment and start learning right now!

 


*INSTANT EBOOK DOWNLOAD*  AS LOW AS $6.89!

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BUY THE PAPERBACK BOOK

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Book Pages

song master book article

Well, 105-110dbs for 30 minutes straight was too loud for me.  I had tinnitus at the end of the 30-minute session!  Everyone is different, so I don't want to give you specific sound ranges and upper limits.  All I can tell you is what gave me tinnitus, and what's worked for me to improve my tinnitus 80% since 1999.


song master book article

Always use hearing protection (earplugs) when at a concert or a club playing loud music, when cutting grass, when using a blower or electric power tools, and for sure when shooting a gun.  Any situation where a continuous 100db sound is present. 

Also, don't listen to music over 100dbs for long periods of time.  OSHA recommends no more than 1 hour @ 105dbs.  I would NEVER go more than 20 minutes straight at 105dbs, if that.  Also, be careful with ibuprofen and prescription drugs.


song master book article

Mine was not severe, so it did not hinder me at all.  The noise I heard was a 40db loud test tone @ 5k (at a narrow range).  I started doing my initial mixing and mastering at around 85dbs, so the tinnitus tone was pretty much masked (drowned out).  Its kind of like when someone records mic hiss.  You can hear it when the music stops, but when the guitars are playing you can't hear it at all because the hiss is being masked.

Singer Phil Collins retired because of his tinnitus.  Bono also has very severe tinnitus that greatly affects his everyday life.  If your tinnitus is very severe like those two, I'm sure your sound engineering skills would be greatly affected.


song master book article

No.  There are many pills and snake oil products online, but I have never heard of a valid cure.  But, experts say it gets better over time as long as you don't make it worse.

The first few months I suffered from tinnitus, I would say it was very annoying at night but not too bad during the day.  It did not effect my sound engineering.  After six months, it improved about 25%.  After a year, roughly 50%.  Now, many years later, I would say I have maybe 20% of the original tinnitus I got in 1999 (an 80% improvement).  It's pretty much gone because it was a mild case of tinnitus to begin with.


song master book article

I got tinnitus in 1999, working on one of my very first mastering projects the day I opened my studio, JR mastering.  At that time, I needed to listen to the songs much longer than I do now because of my lack of experience, and I listened to them WAY too loud. 

I was reviewing my final masters at a high volume level (105-110 dbs) for about 30 minutes non-stop.  When I was finished I didn't really notice anything.  But, when night time came I could hear a high-pitched tone.  It sounded like a 40db test tone @ 5k.  I could hear the tone in both ears, but my right ear was twice as bad as my left.  The first few days it was hard for me to sleep because I kept thinking about this sound.  The sound was also very annoying when sitting outside in a quiet area.


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