Become an expert at Audio Mastering in only a few hours! Really!!
Hello, my name is John Rogers owner of JR mastering and author of the current #1 Best Selling Audio Mastering Book on Amazon.com which is now available in a video course! Since 1999, I've mastered over 40,000 songs for over 7,500 clients. I've mastered music for grammy award winners, several songs I mastered charted #1 and top 10 in Europe, and my masters have been played by DJs in many major cities all over the world.
Why am I telling you this? Because I know audio mastering, and I would like to teach you everything I've learned since 1999, in only 4 hours! It's not a $20,000 two year class, or a $3,500 6 month course (a total waste of money), I will teach you everything you need to know in audio mastering in only 4 hours! This course and the PDFs took me over 1.5 years to create. This is some serious stuff!
Also, a few clients only watch the Step by Step Mastering Session videos and found that was all they needed.
(though I recommend you should watch/read the entire course).
1. Audio Master Laws, Tips, and Advice (46:36)
Several videos that fill in the missing pieces that are not in other parts of the course. Tips, advice and absolute LAWS that you cannot break. Break a few of these laws, and I will guarantee your CD project will be a disaster. 45 minutes of strong advice.
2. The Processors Used In Audio Mastering (14:11)
The types of processors I used to master over 40,000 songs.
3. The 4 Bands In Audio Mastering (9:32)
In audio mastering, we work in Bands. Here's a quick overview.
4. Analyzing A .Wav File Before Mastering (11:58)
This is the first step in audio mastering (after importing the song).
5. How To Correctly Set Your Song Volumes (8:10)
How do I get all my songs the same volume? How loud is my song supposed to be? Is my song too loud? All these questions are answered in this quick 8 min video.
6. Compression Made Easy (19:49)
I've listen to over 1,000 clients attempts at mastering, and masters from other studios (some charging $100 a song). 75% of what I heard, they have NO CLUE how to compress a song. Usually, they don't apply any compression at all (they just make the song louder and call that mastering) and the song breaks up miserably when played back loud. Or the extreme, they compress it to death and it has no dynamic range and it's distorted.
In this video I explain what compression is, your goals, how to use compressors, everything you need to know about compression in audio mastering is in this 20 min video!
7. Understanding Equalization And Spectral Enhancement (27:05)
Which processors are used for EQ? Most people don't know a compressor is one of them. When do you use them, what are your goals, what's the difference between EQ and spectral enhancement? Almost a half hour of priceless information you want find anywhere else.
8. Step by Step Mastering Sessions (10 songs) (Over 3 hours)
My step by step mastering session videos show live mastering sessions of 10 songs.
1 Hard Rock, 1 80s Rock, 1 Pop Alternative, 1 Santana-ish, 1 Pop Dance, 1 EDM, 1 Chill EDM, and 3 Rap/Hip Hop.
You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.
I also include bonus tips and advice while going through my step progression. This video brings everything together, when you can actually see me doing what I've talked about earlier, and what you've read in the PDFs or in my book.
You Can Quickly Become An Audio Mastering Expert
I've worked with sooooo many clients and studios. I've heard their mastering attempts. I've read 1,000 blog posts and watched 100 hours of free youtube video made by guys with "very little" commercial mastering experience or they're a kid living in their mom's basement (usually both).
That all being said, if you read my PDFs (why not buy the full book too) and watch all of my videos, I can just about guarantee you will be better than 75% of the audio mastering engineers online! This includes some from major recording studios. I know this because I've heard their masters and 75% are clueless in several major areas, and you will know more than them.
Now, I can't exactly "guarantee" results. That's like someone selling exercise videos and guaranteeing you will lose weight. Yes, if you do the program, guaranteed you will. But if you never turn the video on, the weight loss program won't work for you. Same thing here.
MASTERING ISN'T A TEST!
Too many people think, oh well I got some advice from this kid, and three other guys, now I'm going to master the CD that took me A YEAR to write and record. Really? Here's why this doesn't work.
I'll be generous. 20% of the information from engineers who have never done anything (other than work on their own stuff) is absolutely WRONG. Sometimes even the opposite. They make up these odd ball theories based on nothing. I've even had a few hip hop engineers make mastering decisions based on what their grandma told them about their songs. I'm not joking here, they told me their grandma said the bass was too low, so they cranked it above distortion.
Well, so what if you get a few processes wrong? You'll get 80% of your CD mastering right. That's a grade B, right? WRONG! It's an "F."
If you get your loudness wrong, you get an "F." If you get your compression wrong, you get an "F." Maybe you don't know how to increase clarity, set your bass levels, get all your songs the same level, all "F."
You could get ONE critical area wrong, and be 90% right with the rest, and your CD will be a JOKE when played against commercial songs, at the club, even your family and friends will laugh at you after leave. Ha!
Let me give you information that is 100% correct! Based on the over 40,000 songs I've mastered that have actually been played on the radio, and in clubs around the world.
Get an "A+" on all of your projects! Why not? Isn't you music career worth this small investment?
You get 90 pages of PDFs from my current #1 Best Selling Audio Mastering Book on Amazon.com. From setting up your listening environment, my graph of solutions to common problems, how to master different genres, to how to correctly set your song volumes, this course is packed with valuable information. You can spend 100 hours on youtube looking for free videos and half the information in my course, you'll never find it anywhere! And, even better, you won't get any "wrong" information from my course either, that will ruin your project.
So, how much is my course?
Only $68 for the entire course lifetime subscription
Includes my step by step mastering session videos of live mastering sessions of 10 songs.
1 Hard Rock, 1 80s Rock, 1 Pop Alternative, 1 Santana-ish, 1 Pop Dance, 1 EDM, 1 Chill EDM, and 3 Rap/Hip Hop songs.
You'll see the methods I use when mastering are very consistent steps that you can quickly pick up and learn.
SALE THIS WEEK ONLY!
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The audio mastering secrets courses and PDFs are lifetime access. The course itself is on my website http://LearnMixingMastering.com
If Your Genre/Style Of Music Isn't Available, It Will Be Soon
What Style would you like to order? - Email me if you would like to be notified.
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ABOUT THE AUTHOR
Hello my name is John Rogers, owner of JR Mastering. I’m one of the most successful online mastering engineers, having worked with over 7,500 highly satisfied clients on over 40,000 songs since 1999.
During my career I’ve worked with a handful of Grammy nominees, several songs I’ve mastered went top 5 on the European billboard charts. I’ve mastered hundreds of songs for movie soundtracks, and for DJs who played them in clubs all over the world.
My debut book, Audio Mastering Secrets, is one of the first audio mastering books on the market that focuses entirely on “How to master audio to radio quality standards,” all from the comfort of your home studio. No expensive gear required to get amazing results!
I also have a video series that will teach you how to master your style of music in under TWO hours!
Note - If you're looking for someone to mastering your songs (and don't want to learn yourself), visit my website JR Mastering.
It focuses on how to master audio, how to become a great audio mastering engineer, and how not to be a bad one. I don’t get into the specifics of brands of gear you should buy, the history of audio mastering, 1,000’s of compressor settings (of which maybe 40 you’ll ever use), or a dozen pages on how to sound proof your room.
If you’re looking for that information, there are several other books on the market that explain those topics very well.
In audio mastering, you will face common problems like a mix being too thin, tinny, distorted, over-saturated, muddy, or not bright enough. Sometimes you can’t get the song loud enough, boomy enough, no separation, too much bass, no sparkle, and many other problems.
I explain in detail which effects processors to use and their exact settings to solve these common problems. This is a great tool to refer back to when needed.
Not entirely on theory, what I learned in school, what I heard from some other engineer, etc. I’ve mastered over 40,000 songs for over 7,500 highly satisfied clients. Why is this important?
1. Because I know the techniques and secrets that I’m teaching work very well! The proof is in the thousands of positive email testimonials I’ve received.
2. I also know which problems and situations arise very often, and which ones never happen at all. Knowing this allows me to focus only on what you will actually experience when working on an audio mastering project. Someone who hasn’t worked with a large number of customers won’t even know what areas to focus on.
Here’s where I break down the sonic qualities of sixteen different genres. How much brightness, bass, boominess, compression, etc., you’re trying to achieve for each genre. And several tips on what clients are looking for. This is a great tool to refer back to if you don’t know the sonic qualities of all the different genres very well.
In this section, I cover a series of do’s, don’ts, and facts that basically apply to all audio mastering jobs regardless of genre. I also cover several pitfalls you will experience (just like I did) as an audio mastering engineer, and how to get through them.
After reviewing hundreds of masters and re-masters from other online studios, I’ve found that most sound engineers don’t know how to properly use compression. A lot of them never use it at all! This causes their songs to break up badly during loud playback. In this book, I cover everything you need to know about compression in audio mastering. I eliminate 95% of the needless threshold/ratio combinations, which makes the entire process much simpler.
Setting Up You're Listening Environment
In this section I cover calibrating your speakers, learning your speakers, speaker placement and room size. And, the myth about soundproofing your room.
The basics of what they all do, how to use them, when to use them, and my initial settings templates.
I cover a handful of important must-know facts if you’re working with clients. Why lose jobs learning on your own (trial and error). Learn from my past mistakes!
I left out all the high-tech jargon and rarely used words that slow down sentence flow. I want everyone to learn how to properly master audio, while not having to try and figure out what I’m trying to say! Ha!
In this book I cover audio mastering FAQs, definitions, concepts, and procedures. I also talk about working with sonic qualities, A/B comparison, working with 4-BAND processors, creating headroom and dynamic range, evaluating the mix, protecting your hearing, EVERYTHING I’ve learned in the last 17 years!
In a matters of weeks, you can learn all of the audio mastering secrets, tips, and techniques that took me over 17 years to learn!
Or with my video series, learn in only TWO hours!!
If you started audio mastering and learning on your own this year, by 2034 you might learn everything that’s in this book and video series. Ha! Why not just make a small investment and start learning right now!
*INSTANT EBOOK DOWNLOAD* AS LOW AS $6.89!
I've seen this question on the Internet many times. The answer I always see is "Because all songs on the radio have been professionally mastered, yours should be too." This is a true fact, but not an answer.
Your songs need to be mastered because you want them to have the same qualities of a well professionally mastered commercial song, and this can only be achieved by using effects on the stereo/main out bus. Which is what mastering is, using effects on the stereo/main out bus. Many critical processes can only be done in mastering.
Here are couple of examples of why a song needs to be mastered:
This question is kind of like asking, "Why does my cake need to go in the oven?" If you want it to be a real cake, and be similar to other cakes, the oven is the final process to get it there. You don't have a cake unless it goes in the oven! You only have raw mixed ingredients. The oven meshes everything together to be like other cakes.
Your main goal in audio mastering is to replicate the sonic qualities of a well professionally mastered commercial song, in the same genre and style as the song mix you are working on.
Yes, everyone has their own slight preference adjustments like a little more bass, brightness, etc., but overall you want to be at least 80% similar to the current industry standard. The only exception is if a client specifically requests an old school master. If that's the case, then you're going to have to replicate the sonic qualities of songs from a past era (specified by the client).
Once every couple months, a client tells me they don't want their songs to sound like songs on the radio, because they don't listen to the radio. That's a good reason. Ha! Then they give me a few crazy mastering requests like "Make my song's volume level -8db below industry standard, or keep the song real muffled, etc."
My two favorite requests happened while writing this book:
Genre Hip-Hop, "I want my CD to sound soft and analog." Ok, you want me to master the first soft analog Hip Hop CD? I talk more about this at the end of this article.
Genre Heavy Metal, "Can you make my CD soft and warm." That's like saying, "I want an ice coffee, but can you make it hot?" Or, "I'm buying a Ferrari because I like to drive real slow."
When this happens, I pretty much refuse these requests. Here's why.
Any song I master is at some point going to be played along with other professionally mastered commercial songs. If a song is very poorly mastered and way off industry standard, it will be painfully obvious to any listener when played right after a professionally mastered commercial song.
When I first started in the mastering business, I did whatever crazy request a client gave me, they approved the masters and paid the balance. Job well done. Or was it? Note - This is also why the customer isn't always right when it comes to audio mastering.
The problems came weeks later after their family and friends listened to these ridiculously poor masters. That's when I got a nasty "You don't know what you're doing" email and a demand for a full refund! Even though I gave them exactly what they asked for.
My Point Proven - While writing this book, a guy uploads 20 hip hop songs. I master an initial preview (like I have 10,000 other hip hop songs) and upload it for him. He tells me him and his producer want the songs warm and analog sounding. I tell him no one has ever requested warm analog hip hop songs in my 17 year career (which should mean something). They don't care. They know more than I do about audio mastering.
So, I send him another preview with the bass up and brightness cut, a nice warm hip hop song. Also, I noted this is wrong for hip hop. He tells me its great, that's exactly what he's looking for! I proceed to master all 20 songs this way (which I told you not to do in the previous paragraph). Ha!
Update - The guy got all 20 warm analog hip hop masters, but I didn't hear from him for about two months. Then I get an email requesting a refund of his 50% deposit, because him and his producer don't like the warm analog hip hop songs. Really? I'm so surprised they didn't like songs that have the OPPOSITE sonic qualities for their genre! Shocking!! Since the client went past the 30 day money back guarantee, his 50% was kept as a non-refundable labor fee.
Just another example of why you don't go against the standard sonic qualities of a genre.
The general public is used to, and expects, the sonic qualities of today's music. This is why your goal is to try and replicate it. If you don't, the general public will know it. PERIOD!
In music mixing, you're "mixing together" multiple audio tracks to make a single audio file song. Different tracks like the lead vocal, bass line, guitars, drums, etc. are being combined together. Then proper effects (like EQ, reverb, delay) are added to each track, along with panning and volume adjustments. In the final step, all tracks are exported simultaneously to create a song in the form of a single stereo interleaved .wav or .aiff file.
In audio mastering (as mentioned in the previous section) the entire song is affected by effects processes, not individual tracks.
At least once a week, someone uploads a song .wav file and says they want it mixed and mastered. Well, you can't mix one file. The word "mixing" is a verb and you need at least two tracks (files) to be able to mix them together. You need at least two of anything to be able to mix it together!
A music DJ is a good example. If he had only one record, he wouldn't be doing any mixing. He could throw some scratches in, but that's it.
I've seen a lot of different answers on the Internet to this simple question. Some were pretty technical and confusing.
A lot of people think audio mastering is only making all the songs on a CD a comparable volume level. Yes, this is done in mastering, but it's only one of many processes, not the only process.
The simple answer – Audio mastering is applying effects to a full song mix (on the stereo/main out bus), in efforts to replicate the sonic qualities of a well mastered industry standard commercial song.
In mastering, you're adding effects to the entire song as a whole. Effects such as compression, spectral enhancement, EQ, etc.
An example of a mastering process would be adding bass to a song you're listening to on your car stereo. When you add bass, the entire song gets it. You can't add bass to only the vocal track. This is comparable to a mastering EQ process because it affects the entire song.
I love the saying, "If you give a man a fish he eats for a day, but if you teach a man how to fish he eats for a lifetime!"
Well, from this book you will learn how to professionally master audio for a lifetime! Then you can properly master your entire CD, your friend's CD, even open your own audio mastering business. If you're already commercially mastering audio at your own recording studio, I'm sure you will still learn a lot from this book.
This book is a learning guide, filled with in-depth information. I wrote it from the perspective of a recording studio owner who's worked with over 7,500 satisfied clients. One reason I did this is because I wanted to cover only typical situations and scenarios you will experience while audio mastering, not a hundred extra pages of theory and worthless topics you'll never use. I included only the information you need to know.
Audio mastering is a highly technical field. There are 1,000's of different effects combinations and sonic scenarios. And when you first start out in audio mastering, you'll trial and error your way through hundreds of combinations for each song, that will take you forever! It's very easy to get lost in technology.
In this book, I simplify the entire audio mastering process down to a handful of basic concepts and effects combinations. Only the ones you need to properly master music.
Also, this book was first released in 2017. It covers current mastering techniques using newer gear. Books written around 2007 or earlier are primarily analog gear using old school mastering techniques, since 90% of the current software plugins weren't available at that time.
In this book, I explain:
What your mastering goals are.
How to use the processors involved in mastering.
When to use them.
Why you are using them.
I start out with basic terms, audio mastering laws and procedures before moving on to advanced sonic adjustment techniques and detailed step-by-step instructions. I not only use pictures, but also incorporate a few online sound and video references. Everything you need to become a great audio mastering engineer!
Important Note - Please read this book in its entirety. I try to repeat the most important concepts and tips, but sometimes I mention very important information only once. If you read only 75% of this book (or less), you will miss out on a lot of great stuff!